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In camera

New Toys!Sidecar CotWoodworking

So I was trying to get a nice photo of a piece of the grain on one of the spars last night that had slightly hinky grain and which had torn out even on the smoothing plane, but which the card scraper had done a lovely number on. The camera on the samsung S4 phone I use was just not picking out the detail very well. Then today a workmate (thanks Gary!) loaned me his Canon 450D to try out. Holy crap. I used a Pentax SLR a few decades ago, and one of the Fuji not-quite-a-DSLR camera a decade ago for photos of target shooting stuff, so I knew the DSLR was going to be good, but seriously, holy crap it’s just in a whole other category.

Here’s the un-post-processed images of that tear-out patch of grain (I’ve just resized the image to the same 1200×800 size in both).… Read the rest

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8 out of 1

Sidecar CotWoodworking

So I was wondering if ripping the 8x1x30″ board down to four 2x1x30″ laths and then resawing those was the better way to go. And now I know.

2016-10-04-21-57-05a

Yes indeed. Much more accurate resawing, the worst variance was yesterday’s 2mm deviation, and much less sweat involved either (I’m not saying it’s easy you understand, just easier…)

So that’s twelve slats down, eight to go, and now I have to ponder whether I break down the 60″ board I have into two 30″ boards and use one of those and have the other in reserve and save the 34″ for something else; or if I use the 34″ board for the last eight slats and keep the 60″ in reserve. I’m leaning heavily to the former on the grounds that I’m going to do another timberyard run later this month.… Read the rest

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Smaller steps worked

Sidecar CotWoodworking

So, after taking the three new bevel-edged chisels and my new ⅜” mortice chisel (needed for the mortices for the slats’ tenons) to the 80-grit paper (I’ll do the stones and stropping tomorrow), it was on to taking the four ripped down 2x1x30″ ash boards and getting going on the resawing. I ran over each on four sides with the jack and the smoother to get a more square board, then gauged a midline down the edges of the board and penciled the gauge line for visibility, cut a starting notch with the chisel on the end grain and started in with the ryoba at a slow and steady pace. Leave dido singing away into one ear, and flip the board every other chorus line, and the saw just followed the line itself most of the time.… Read the rest

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